沙里寧

他的作品富於獨創性，不落前人窠臼，甚至在自己前後作品之間也都難以找到相同的痕迹。沙里寧一生中沒有形成自己定型的建築風格，而是在不斷地創立新的風格。他對待建築創作的態度和所留下的富於變化的獨創性作品，影響深遠。主要作品是：通用汽車公司技術中心（1948—1956）、聖路易市傑斐遜國家紀念碑（1960）、麻省理工學院禮堂和小教堂（195）、美國環球航空公司候機樓（1956—1962）以及華盛頓杜勒斯國際機場候機樓（1958—1962）等. (1910-1961) American Institute of Architects. Born in Finland, an artist family, the father G.E. Saarinen, an architect and his mother was the family emigrated to the United States sculptor .1923 years. A child, the mother affect the preferences ofsculpture, after school construction, There are a prestigious sculpture style of architect.Hisworks are rich in originality, do not drop their predecessors cocoon, and even in their own between the before and after the work is difficult to find the same traces. Saarinen's life did not form their own stereotypes architectural style, but constantly creating new styles. hisattitudeand treatment of architectural creation of the wealth left behind by changes in the original works of far-reaching impact. His major works are: General Motors Technical Center (1948-1956), St. Louis City,JeffersonNational Monument (1960), Massachusetts Institute of Technology auditorium and the small church (195), the United States TransWorldAirlinesTerminal(1956-1962) and Washington Dulles International Airport Terminal (1958-1962), etc. .